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edward.maurath
HWV1A3N11 - Gönne nach den Thränengüssen mir
edward.maurath
1:31 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 17 35 6 5 100%
Bass 15 2 3 5 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 17 35 6 5 100%
Bass 15 2 3 5 100%
Bassoon Continuo Bass 14 0 3 5 100%
Bass
as Raymondo		 Bass 17 0 5 8 75%
Oboe Treble 8 0 2 3 71%
 
HWV1A2N23 - Ich kann nicht mehr verschuriegen
edward.maurath
1:26 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano as
Almira		 Treble 14 0 4 5 96%
Cembalo Continuo Treble 14 24 3 4 83%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano as
Almira		 Treble 14 0 4 5 96%
Cembalo Continuo Treble 14 24 3 4 83%
Bass 14 1 3 3 78%
Viola 9 0 2 3 78%
Violin
1		 Treble 8 0 1 3 78%
Violin
2		 Treble 7 0 2 3 78%
Violoncello Continuo Bass 12 0 3 3 78%
Bassoon Continuo Bass 11 0 2 3 74%
 
HWV1A1 - Leset ihr funkelnden Augen
edward.maurath
1:51 Est. Play
Time
42 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 15 23 4 4 86%
Bass 22 28 4 2 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 15 23 4 4 86%
Bass 22 28 4 2 100%
Bassoon Continuo Bass 19 0 4 2 62%
Bass 14 1 2 2 57%
Bass
as Consalvo		 Bass 13 1 4 4 60%
Violin
1		 Treble 12 0 0 4 57%
Violin
2		 Treble 12 0 2 2 57%
Violoncello Continuoi Bass 14 1 2 2 57%
 
HWV1A1 - Leset ihr funkelnden Augen
edward.maurath
1:51 Est. Play
Time
42 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 15 23 4 4 86%
Bass 22 28 4 2 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 15 23 4 4 86%
Bass 22 28 4 2 100%
Bassoon Continuo Bass 19 0 4 2 62%
Bass 14 1 2 2 57%
Bass
as Consalvo		 Bass 13 0 4 4 60%
Violin
1		 Treble 12 0 0 4 57%
Violin
2		 Treble 12 0 2 2 57%
Violoncello Continuoi Bass 14 1 2 2 57%
 
HWV8A1N1 - "Ah! nò, sia pur pietosa" recitativo secco
edward.maurath
0:57 Est. Play
Time
15 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 18 18 4 3 100%
Bass 11 1 2 3 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 18 18 4 3 100%
Bass 11 1 2 3 100%
Mirtillo 11 0 3 3 100%
Violoncello Bass 10 0 2 3 100%
 
HWV8A1N1 -"Ah! nò, sia pur pietosa" (Mertillo)
edward.maurath
0:57 Est. Play
Time
15 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 18 18 4 3 100%
Bass 11 1 2 3 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 18 18 4 3 100%
Bass 11 1 2 3 100%
Mirtillo 11 0 3 3 100%
Violoncello Bass 10 0 2 3 100%
 
BWV 245 N 22 - Durch dein gefängnis, Gottes Sohn muß uns die Freiheit kommen
edward.maurath
1:00 Est. Play
Time
8 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 14 23 4 4 100%
Bass 14 1 3 2 100%
View all 16 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 14 23 4 4 100%
Bass 14 1 3 2 100%
Alti 12 0 3 2 100%
Bassi Bass 13 0 3 2 100%
Bassono Grosso Continuo Bass 14 0 3 2 100%
Bassoon Continuo Bass 14 0 3 2 100%
Contrabassi Continuo Bass 14 0 3 2 100%
Flauto Traverso Treble 8 0 0 3 100%
Oboe Treble 8 0 0 3 100%
Organo Continuo Treble 14 23 4 2 100%
Soprani 8 0 0 3 100%
Tenori 12 0 2 4 100%
Viola 12 0 2 4 100%
Violin 1 Treble 8 0 0 3 100%
Violin 2 Treble 12 0 3 2 100%
Violoncelli Continuo Bass 14 0 3 2 100%
 
BWV 245 N 5 - CHORALE Dein Will geschech d minor
edward.maurath
0:55 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 14 29 4 2 100%
Bass 14 0 5 3 100%
View all 18 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 14 29 4 2 100%
Bass 14 0 5 3 100%
Bass 14 0 5 3 100%
Harpsichord Treble 14 29 4 2 100%
Bass 15 1 5 2 100%
Alti Treble 11 0 3 4 100%
Bassi Bass 14 0 5 3 100%
Bassoon Continuo Bass 15 0 5 3 100%
Contrabasses Bass 14 0 5 3 100%
Flute Treble 13 0 3 2 100%
Oboe 1 Treble 13 0 3 2 100%
Oboe 2 Treble 11 0 3 4 100%
Soprani Treble 13 0 3 2 100%
Tenori Treble 11 0 4 4 100%
Viola 11 0 4 4 100%
Violini 1 Treble 13 0 3 2 100%
Violini 2 Treble 11 0 3 4 100%
Violoncellos Bass 14 0 5 3 100%
 
Handel: La March - D Major
edward.maurath
1:54 Est. Play
Time
57 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Lute Treble 13 15 2 3 93%
Bass 17 32 3 5 100%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Lute Treble 13 15 2 3 93%
Bass 17 32 3 5 100%
Bassoon Bass 12 3 2 5 100%
BSN Bass 15 2 1 5 100%
Kontrebaß Bass 15 0 1 5 100%
Oboe
1		 Treble 12 0 1 5 100%
Oboe
2		 Treble 13 2 3 5 100%
Vcl Bass 15 0 1 5 100%
Vla 12 3 2 5 100%
Vln Treble 15 39 3 5 100%
Trumpet
at concert
pitch		 Treble 12 1 1 5 75%
 
HWV 8-B Terpsicore GIGUE
edward.maurath
2:01 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 20 25 3 8 100%
Bass 11 1 1 6 96%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 20 25 3 8 100%
Bass 11 1 1 6 96%
Violas 11 0 1 6 100%
Violins
1		 Treble 17 0 1 7 100%
Violins
2		 Treble 14 0 3 7 100%
Continuo Bass 11 0 1 6 96%
Contrabass Bass 11 0 1 6 96%
 
"Fredde ceneri d'amor, chelanguite in questo cor," act 2 of "Rodrigo," HWV 5 (1707)
edward.maurath
5:54 Est. Play
Time
74 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violas 15 0 4 5 85%
Flute Treble 16 0 5 5 67%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violas 15 0 4 5 85%
Flute Treble 16 0 5 5 67%
Treble 14 0 4 5 64%
Violins
1		 Treble 16 0 5 5 67%
Florinda 16 0 6 5 66%
Violins
2		 Treble 14 1 4 5 64%
Cembalo (Continuo) Treble 15 16 4 5 24%
Bass 4 2 0 2 5%
Harp (Continuo) Treble 15 16 4 5 24%
Bass 4 2 0 2 5%
 
HWV56N02 - Messiah - Comfort ye, my people
edward.maurath
3:17 Est. Play
Time
37 Measures
1,502Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
HPSI
LH		 Bass 21 69 3 7 97%
HSC
RH		 Treble 21 57 6 7 97%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
HPSI
LH		 Bass 21 69 3 7 97%
HSC
RH		 Treble 21 57 6 7 97%
VNE Bass 16 1 3 5 95%
Bassoon Bass 13 0 1 4 92%
Bassoon Continuoi Bass 15 0 3 7 92%
Oboi Treble 19 44 4 6 92%
Vcl Bass 15 1 3 5 92%
Vla 13 0 1 5 92%
Vln
1		 Treble 16 0 3 8 92%
Vln
2		 Treble 16 0 3 5 92%
Tenor Treble 14 0 4 6 84%
 
HWV56N04 - Messiah - And the Glory of the Lord
edward.maurath
5:54 Est. Play
Time
138 Measures
1,883Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 17 74 3 5 98%
Bass 16 41 2 4 94%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 17 74 3 5 98%
Bass 16 41 2 4 94%
Cello Bass 22 1 4 5 98%
Violone Bass 22 1 4 5 98%
Violin
2		 Treble 19 1 3 6 79%
Bassoon Bass 17 0 4 4 78%
Oboi Treble 15 2 2 5 77%
Viola 17 0 4 4 77%
Alti 11 1 2 5 75%
Violin
1		 Treble 17 0 2 6 75%
Tenori 11 0 2 5 72%
Bassoon Continuo Bass 22 0 4 4 72%
Bassi Bass 16 0 3 4 63%
Soprani 13 0 2 5 63%
 
Lament not thus, O Queen, in vain, from HWV 61, (1744)
edward.maurath
4:49 Est. Play
Time
56 Measures
1,157Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 20 57 4 6 91%
Bass 25 104 5 6 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 20 57 4 6 91%
Bass 25 104 5 6 100%
Violoncello Continuo Bass 21 0 4 5 98%
Daniel 12 1 3 5 84%
Double Bassi Bass 16 0 1 5 41%
Violin Treble 16 2 2 6 41%
Violoncelli Bass 16 0 1 5 41%